Building of the Day: 675-679 St. Marks Avenue
Brooklyn, one building at a time. Name: Row Houses Address: 675-679 St. Marks Avenue, between Nostrand and Rogers Avenues Neighborhood: Crown Heights North Year Built: 1888 Architectural Style: Romanesque Revival Architect: C.P.H. Gilbert Other buildings by architect: In Park Slope The Adams mansion, corner of 8th and Carroll. Most of Montgomery Pl, between 8th and…
Brooklyn, one building at a time.
Name: Row Houses
Address: 675-679 St. Marks Avenue, between Nostrand and Rogers Avenues
Neighborhood: Crown Heights North
Year Built: 1888
Architectural Style: Romanesque Revival
Architect: C.P.H. Gilbert
Other buildings by architect: In Park Slope The Adams mansion, corner of 8th and Carroll. Most of Montgomery Pl, between 8th and PPW, Daniel Chauncey House, Joralemon St. Bklyn Hts.
Landmarked: Not yet.
The story: The great architect Charles Pierrepont Henry Gilbert, or C.P.H. Gilbert, as he is always called, was one of the starchitects of the Gilded Age. Scion to extremely blue blood, and a product of the elite L’ecole des Beaux Arts in Paris, Gilbert would produce some of the best residential architecture of his day, most for very rich people. He seemed to have two separate design lives. Those who know his work in Manhattan see his huge, ornate limestone and marble Robber Baron mansions that are dotted around in the best addresses on the Upper East Side. Among the most memorable are the French chateaux that now house the Ukrainian Institute and the Jewish Museum. But for fans of Brooklyn architecture, CPH Gilbert is the man who designed some of Park Slope’s best row house architecture, especially on Montgomery and Carroll Streets, between 8th Avenue and Prospect Park West. Gilbert designed so few buildings outside of Park Slope that finding out these are his houses, here in CHN, is akin to finding out that sketch you had hanging in the bathroom is a DaVinci. There have always been the clues that this group of houses was the product of someone really good; the choice of the warm golden orange brick, surely more rare and expensive than regular brick. The details in the rooflines, now obscured and muddled by modern roofing tile, instead of the original slate or Mediterranean tile, but still a flowing whole across the three buildings. The generous, deep portico and doorway, and the way all three buildings become one very large unit. These are gorgeous, and take command of a street that has some other impressive architecture on it. Gilbert designed these in 1888, which would be in the midst of his designs for Park Slope, but before his mansion on Joralemon St. in the Heights for Daniel Chauncey, and years before his Manhattan palaces. The three 17′ houses were built for Mrs. Emma A. Macy, as spec houses, and cost her $27K. Over the years, the houses have taken a beating, but in the last five years, work has been done, the house on the right, which was practically collapsing, has undergone a complete gut renovation. Perhaps someday, the owners of all three will pool their resources and get the roofline restored. 675 St. Marks, on the left, in its early days, was home to a doctor, who practiced at this address, and later, a retired judge.
Sorry, I should have said “was inspired by” instead of “is a knock-off of.” I actually like the 4th Street houses a lot, and calling them knock-offs doesn’t do them justice.
By the way, there’s also a row of houses by CPH Gilbert on Berkeley Place in Park Slope, between 6th & 7th Avenues. They’re orange brick with limestone accents and really quite pretty (though nothing like these two beauties).
Susan . . . actually, yes. Or at least Gilbert and Chappell. Especially the row from 495 to 503 4th Street. That row is comprised of two alternating house styles in an ABABAB pattern. One of the styles (with the projecting rectangular bay on a corbelled shelf on the story above the parlor floor) is a knock-off of 46 Montgomery Place by Gilbert. The other style (with the inset bay window on the story above the parlor floor) is a knock-off of 285 and 287 Garfield Place by Chappell. I believe the Gilbert and Chappell houses were all built prior to the ones on 4th.
What about the houses on Fourth Street between 7th and 8th? They are smaller and less grand, but have the same brick type and bows. Maybe a Gilbert wannabe?
Montrose, sorry I missed this on Friday! Fantastic find. As you’ve probably deduced from one of my prior posts, I’m a little Gilbert obsessed. This was a real treat.
Mr. Gray;
I’m beginning to like you more and more. You can call me “Vlad”.
Poor Minard. It must be tough having to stay within your comfort zone .e. Brooklyn Heights. Sometimes he peeks beyond the border, only to see aluminum capping on windows.
C, have you been re-reading old issued of Pravda again? In the words of Lenin: What is to be Done?
I love the aluminum panning – it has that nice dipped-in-s**t quality common to all great architecture.
I am sensing counter-revolutionary tendencies in Comrade LaFliver. Perhaps a nice vacation in one of the eastern provinces is indicated; the cold air tends to cure one of capitalist-roader inclinations.
All power to the Aluminum Soviets, V. I. Benson
Oy! I can’t help it, all I see is the aluminum panning at the windows -especially egregious here- and the clumsy work on the roof and dormers. What happened up there? Looks like a cheap asphalt shingle sampler.
I think this threesome needs a little TLC before they can properly see Christopher off to his final reward, or comeuppance.